Two new films examine historical aspects of Swiss radicalism

June 2, 2022
Issue 
Caged Birds film
A scene from 'Caged Birds', which is showing as part of the German Film Festival.

Caged Birds (Bis wir tot sind oder frei)
Directed by Oliver Rihs
Starring , Joel Basman, Jella Haase
In German with English subtitles
Showing nationally as part of the German Film Festival

Monte Verit脿 (Monte Verit脿 - Der rausch der freiheit)
Directed by Stefan J盲ger
Starring Maresi Riegner, Max Hubacher, Julia Jentsch
In German with English subtitles
Showing nationally as part of the German Film Festival

Switzerland has a reputation of being somewhat parochial, stuffy and conservative. However, these two films show that the country has an extraordinary history of radical personal and political struggle.

Caged Birds, which would be better served by having its German title directly translated, 鈥淯ntil we are dead or free鈥, opens with scenes of a 1981 Zurich riot in which tear gas swirls in a battle between anarchists and police. Interwoven, we see the daring prison escape of a career criminal.

These two events bring us into the lives of Walter St眉rm (Joel Basman), who escaped from Swiss jails eight times between 1974鈥95 and radical lawyer Barbara Hug (Marie Leuenberger) who defended him.

Hug was stricken with kidney cancer as a child and lived with constant pain and disability, but defiantly refused to surrender to it, to the point of refusing the advice of her doctors. St眉rm similarly refused to be contained by societal expectations and seized his freedom.

Hug is shown hiding St眉rm from the authorities, which she actually did. The writers fill in a few gaps by bringing in a narrative of involvement with the German Red Army Faction.

Ultimately, the film is a meditation on the meaning and costs of individual freedom in a bourgeois society. It is fascinating and thought provoking.

Monte Verit脿 is set at the other end of the 20th century, during the early years of the psychoanalysis movement. It depicts the free-thinking, experimental therapeutic community, called Monte Verit脿, that existed in southern Switzerland between 1900鈥1920.

The commune attracted such notables as Hermann Hesse, D H Lawrence, Isadora Duncan, and, it is said, August Bebel and Karl Kautsky.

The film shows the fictional story of a woman fleeing domestic violence and her husband's anti-sexual attitudes,聽which are supported by the medical profession. She escapes to Monte Verit脿 seeking therapy from the radical psychotherapist, Otto Gross.

She encounters the intellectual ferment of artists and intellectuals such as Hesse and Duncan, and Gross's unusual therapeutic methods.

Gross, a firm anarchist, believed in the benefits of nude sunbathing, swimming naked and bisexuality. He insisted that people wishing to die should be assisted to suicide, no matter their physical or psychological health.

He also believed in liberating his patients鈥 sexuality by sleeping with them. His practices got him into trouble. Eventually, he was diagnosed as schizophrenic and died in ignominy.

His writings have resurfaced in recent years and a movement has sprung up researching and expounding on his theories.

Monte Verit脿 does not explore that troublesome future but basks in the glow of the commune鈥檚 glorious peak.

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