91×ÔÅÄÂÛ̳ speaks to Bob ZellnerÌý²¹²ú´Ç³Ü³ÙÌýSon of the South, a new film that tells his story of breaking from his Ku-Klux-Klan heritage to become the first white Student Nonviolent Coordinating Committee organiser.Ìý
Barry Healy
Barry HealyÌý°ù±ð±¹¾±±ð·É²õ Son of the South, the true story of Bob Zellner, a white student in Alabama who broke from the prevailing Jim Crow apartheid and nearly lost his life in the anti-racist struggle.
Barry Healy reviews My Name is Gulpilil, a testament in film to David Gulpilil's triumphs as an actor and traditional dancer as well as his suffering.
Barry Healy reviews Mientras dure la guerra, a film illustrating human failure and the psychology of fascism during the Spanish Civil War.
Barry Healy reviews a new film depicting jazz singer Billie Holiday’s extraordinary courage in facing up to racism in the United States.
Barry Healy reviews a new book researching the impact and consequences of anti-Semitism during the Russian Revolution.
Jazz is quintessentially American music. But, as Barry Healy writes, the story of jazz is a harrowing tale of racism and criminal violence stretching through to the present day.Ìý
In the early 1970s, the National Front was on the rise in Britain. So a ramshackle group of DIY leftists organised Rock Against Racism and took on the fascists. White Riot is a celebration of their struggle and victory, writes Barry Healy.Ìý
Chris Nelius, the director of Girls Can’t Surf, spoke with 91×ÔÅÄÂÛ̳ about the making of the film.
The magnificence of the Black Panther Party and its martyed leader, Fred Hampton, are brought to life in Judas and the Black Messiah, a film with a few defects, writes Barry Healy.
Isabelle Huppert comes to rule the Parisian hashish trade in this comedy/drama that demonstrates the casual violence of the French police, writes Barry Healy.
Bye Bye Morons is a sweet French comedy with a satirical bite, writes Barry Healy.
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