Aboriginal and Torres Strait Islander Peoples

Rapper Caper slams the Native Title Act as a "white bible" on his latest release. The Narungga emcee has worked as a Native Title field officer in South Australia for the past 10 years.

From left, Dontez, StrickNine and Culprit of Kings Konekted.

Kings Konekted have just released some of the choicest cuts in Australian hip-hop - and they were inspired by some of the whackest cuts in Australian politics.

Bryte MC.

Bryte's new album, The Bryte Side Of Life, may urge his listeners to think positive, but it's not all sweetness and light. The Aboriginal rapper has lost none of the political bite that snarled from his award-winning first album, Full Stop, four years ago.

Provocalz.

"Every time you see in the media someone's been killed by police it always just happens to be an Aboriginal," says radical rapper Provocalz. It's 9.30 on a Saturday morning and the south-west Sydney spitter is telling 91自拍论坛 why he made his hard-hitting horrorcore track, "Cop Shot".

Dizzy Doolan flew in for Yabun early to mentor kids.

Sydney When rapper Dizzy Doolan is asked whether her song "Women's Business" is inspired by the Aboriginal concept of secret women's business, she replies simply: "I was inspired to write 'Women's Business' purely because I was sick of seeing men disrespect women. I wanted to inspire women to be strong and to have a voice and be heard."

Femcee Kayemtee

Jimmy Barnes is probably the most heterosexual man in Australia - but he has now inspired probably the best homosexual rap tune to come out of the country.

JPoint rocks Sydney this May.

Rapper JPoint is building up a strong body of work - and not just in the music world. The Indigenous emcee runs his own record label, produces music for other artists and has a string of releases under his belt. But he is also competing above the belt - by entering his first body-building contest. For JPoint, it's been a transformation.

Emcee Sneake1

When George Sambo was about seven years old, he used a wad of crooked cash to shout all his mates sausage rolls. The Queensland schoolboy couldn't have known then that those fatty rolls would set him rolling on a path to making phat rolling beats. But that's what happened.

DeeKay, top, and C-Roc rock Sydney. Photos: Mat Ward.

When you're representing a culture that has lasted 60,000 years, it doesn't matter that your debut album has taken a mere 18. "We've always prided ourselves on coming from a culture that's been a song and dance culture for millennia, you know," says C-Roc, whose rap group, Native Ryme, are only just releasing an album a generation after he formed the band in 1994.

Izzy, middle, and The Profit rock Rooty Hill.

It鈥檚 midnight in midwest Sydney and Izzy n The Profit are whipping a crowd into a full-blown frenzy. The audience is tiny, but the rappers are leaping around the Rooty Hill RSL like they鈥檙e ripping the roof off a stadium.

It鈥檚 just before the turn of the 20th century, and colonial Australia is desperate to forge a 鈥渘ation鈥 and pull away from self-governing British colonies. So-called native-born Australians are swept up in a wave of nationalism, keen to cut the apron strings of mother England. At the same time, on the southern edge of the Kimberley, another battle for independence is underway. But this one won鈥檛 result in a constitution or the formation of a Commonwealth; it will end in rivers of black blood and the deaths of many.

Sixteen Aboriginal adults in the remote New South Wales town of Wilcannia are the first graduates of a groundbreaking trial literacy program that would not have been possible without the help of a tiny Caribbean nation 鈥 Cuba. At the beginning of this year, Cuban educator Jose Chala Leblanch arrived in Wilcannia to help establish the literacy program based on the world-famous 鈥淵es, I Can鈥 teaching method developed by Cuba.