
The heralded arrival of the Internet, an information medium never before seen on such scale, caused enthusiasm.
Humankind would go on to fawn over a technology which would, as Langdon Winner聽, 鈥渂ring universal wealth, enhanced freedom, revitalized politics, satisfying community, and personal fulfilment鈥.
Such high street techno-utopianism was bound to have its day.
The sceptics grumbled. Evgeny Morozov, in his聽听蝉迟耻诲测听The Net Delusion, warned of the misguided nature of the 鈥渆xcessive optimism and empty McKinsey-speak鈥 of cyber-utopianism and the ostensibly democratising properties of the Internet.
Governments, whatever their ideological mix, were similarly suspicious.
In Australia, the tech-utopians are being butchered, metaphorically speaking. Of concern is the聽.
This bill arises from the聽,聽conducted by the Australian Competition and Consumer Commission (ACCC). Its final report聽聽that consumers accessing news placed on digital platforms 鈥減otentially risk exposure to unreliable news through 鈥榝ilter bubbles鈥 and the spread of disinformation, malinformation and misinformation (鈥榝ake news鈥) online.鈥
And what of television? Radio? Community bulletin boards?
In this state of knee-jerk control, the federal government pressed digital platforms conducting business in Australia to develop a voluntary code of practice to address disinformation and the quality of news.
The聽Australian Code of Practice on Disinformation and Misinformation聽聽on February 22, 2021, by the Digital Industry Group. Eight digital platforms adopted the code, including Google, Facebook, Microsoft and Twitter.
This did little in terms of satisfying the Scott Morrison government. Paul Fletcher, then Minister of Communications, duly聽聽that new laws would be drafted to arm the Australian Communications and Media Authority (ACMA) with the means 鈥渢o combat online misinformation and disinformation鈥.
He noted an ACMA report highlighting that 鈥渄isinformation and misinformation are significant and ongoing issues鈥.
The resulting bill proposes to make various functional amendments to the聽Broadcasting Services Act 1992聽as to the way digital platform services work. It also proposes to vest the ACMA with powers to target misinformation and disinformation.聽聽Digital platforms not in compliance with the directions of the ACMA risk facing hefty penalties, although the regulator will not have the power to request the removal of specific content from the digital platform services.
In its current form, the proposed instrument defines misinformation as 鈥渙nline content that is false, misleading or deceptive, that is shared or created without an intent to deceive but聽which聽can cause and contribute to serious harm鈥.
Disinformation is regarded as 鈥渕isinformation that is intentionally disseminated with the intent to deceive or cause serious harm鈥.
Of concern in the bill is the scope of the proposed ACMA powers regarding material it designates as 鈥渉armful online misinformation and disinformation鈥.
Digital platforms聽聽to impose codes of conduct to enforce the interpretations made by the ACMA.
The regulator can even 鈥渃reate and enforce an industry standard鈥 鈥 which is unworkably opaque 鈥 and register them.聽 Those in breach will be liable for up to $7.8 million or 5% of global turnover for corporations. Individuals can be liable for fines up to $1.38 million.
A central notion in the proposal is that the information in question must be 鈥渞easonably likely 鈥 to cause or contribute serious harm鈥.
Examples of this rubbery concept are provided in the聽. They include hatred targeting a group based on ethnicity, nationality, race, gender, sexual orientation, age, religion or physical or mental disability.
It can also include disruption to public order or society. The example provided in the guidance suggests typical government paranoia about how the unruly, irascible populace might be incited: 鈥淢isinformation that encouraged or caused people to vandalise critical communications infrastructure鈥.
The proposed law will potentially enthrone the ACMA as an interventionist overseer of digital content. In doing so, it can decide what and which entity can be exempted from alleged misinformation practices.
For instance, 鈥渆xcluded content for misinformation purposes鈥 can be anything touching on entertainment, parody or satire, provided it is done in good faith.
Professional news content is also excluded, but any number of news or critical sources may fall foul of the provisions. The discretion is woefully wide.
The Victorian Bar Association鈥檚 (VBA)聽聽warns that 鈥渢he Bill鈥檚 interference with the self-fulfilment of free expression will occur primarily by the chilling self-censorship it will inevitably bring about in the individual users of the relevant services (who may rationally wish to avoid any risk of being labelled a purveyor of misinformation or disinformation)鈥.聽
The VBA also wonders if such a bill is even warranted, given that the problem has been 鈥渆ffectively responded to by聽voluntary聽actions taken by the most important actors in this space鈥.
Also critical, if less focused, is the rage coming from the Coalition and Sky News. Shadow Communications Minister David Coleman聽聽the draft 鈥渁 very bad bill鈥 giving the ACMA 鈥渆xtraordinary powers. It would lead to digital companies self-censoring the legitimately held views of Australians to avoid the risk of massive fines.鈥 Sky News has even聽听鈥淥谤飞别濒濒颈补苍鈥.
Misinformation, Coleman said, was defined so broadly as to potentially 鈥渃apture many statements made by Australians in the context of political debate鈥. He said content from journalists 鈥渙n their personal digital platforms鈥 risked being removed as crudely mislabelled misinformation.
This is an about face for the Coalition, given its enthusiasm in 2022 for a similar muzzling of information.
The proposed bill on assessing, parcelling and dictating information (mis-, dis-, mal-) is a nasty little experiment in censoring communication and discussion.
When the state decides, through its agencies, to tell readers what is appropriate to read and what can be accessed, the sirens should be going off.
[Binoy Kampmark currently lectures at RMIT University.]